CHARLES LOCKE. New York Harbor<>, circa 1935. 223x305 mm; 8 3/4x12 inches, full margins * DON FREEMAN. The Passing Show<>, 1941. 235x270 mm; 9 1/4x10 5/8 inches, full margins. McCulloch 127. Both an edition of 250. Both signed in pencil, lower right. Both published by Associated American Artists, New York. Both good, clean impressions.
