Number 13: Henneberg's "Villa Falconieri," "Villa Torlonia," and "Pomeranian Motif" Kuhn's "Roman Campagna," "Girl with Mirror," "A Study in Sunlight," and "Washerwoman on the Dunes" and Watzek's "Poplars and Clouds," "Mountain Landscape," "A Village Corner," "The White Sail," and "Sheep."

Number 14: Steichen's "George Frederick Watts," "William M. Chase," "Lilac Buds: Mrs. S.," "Moonlight: The Pond," "The Little Round Mirror," "The Little Model," "The Brass Bowl," "The Flatiron-Evening," "Mother and Child-Sunlight," and "Cover Design" and 4 views of "The Little Galleries of the Photo-Secession" by Alfred Stieglitz.

Steichen Supplement: "Maeterlinck," "J. Pierpont Morgan, Esq.," "Duse," "Portraits--Evening," "Wm. M. Chase," "La Cigale," "In Memoriam," "The Model and the Mask," "The White Lady," "Rodin--Le Penseur," "The Big White Cloud," "Landscape in Two Colors," "Profile," "Solitude," "Poster Lady," and "Road into the Valley--Moonrise."

Number 15: Coburn's "Wier's Close-Edinburgh," "The Bridge-Sunlight," "After the Blizzard," "Decorative Study" and "The Bridge-London" George Bernhard Shaw's "Portrait of Alvin Langdon Coburn" Steichen's "Experiment in Three-color Photography" and Seeley's 2 studies of the same title "No Title."

Number 16: Demachy's "Touques Valley," "A Model," "Portrait--Mlle. D," "Street in Lisieux," "Behind the Scenes," "Study," and "The Seine at Clichy" Puyo's "Montmartre," "The Straw Hat," "Nude--Against the Light," and LeBegue's 2 nudes of the same title "Study."