Oil and monotype on wove paper, 1981. 447x200 mm; 17 5/8x23 5/8. Signed and dated in ink, lower right. Signed and dated in pencil, lower margin.
Provenance: private collection, Maryland.
Untitled (Square Composition) embraces Hines's belief in, "the universal language of pure shapes and colors" with his use of geometry rooted in a Cubist practice. Everett p. 42.
