Mar 08, 2016 - Sale 2407

Sale 2407 - Lot 415

Price Realized: $ 15,000
?Final Price Realized includes Buyer’s Premium added to Hammer Price
Estimate: $ 15,000 - $ 20,000
HENRI MATISSE
Danseuse au Divan.

Lithograph, 1925-26. 280x460 mm; 11 1/8x18 1/4 inches, full margins. Signed and numbered 19/130 in pencil, lower right. Published by Galerie d'Art Contemporain, Paris. From Dix danseuses. A very good, well-inked impression with strong contrasts.

Born in the north of France to a family of weavers and grain merchants, Matisse (1869-1954) grew up in a rustic, pre-industrial town. In 1889, after passing the bar exam and becoming a law clerk (which he found exceedingly tedious), he was diagnosed with appendicitis. During his convalescence, his mother bought him art supplies and it was only then that he began to paint. He left for Paris in 1891 to begin his formal art education. Matisse went to the traditional schools and was trained in the academic manner, a background evidenced by his early drawings. Nevertheless, he soon began to experiment with the flurry of new styles and movements taking shape at the time, fraternizing with other Post-Impressionists and influential contemporaries in Paris, aligning himself with a group of like-minded artists who would become the Fauves.

After his initial adherence to Fauvism, Matisse explored varied styles and themes. In the latter years of his life, after having battled cancer and confinement to a wheelchair in 1941, Matisse focused on collage using paper cutouts (see lot 420). The Dix danseuses series , considered among Matisse's most important lithographs, marks what is known as his "Nice period," spanning approximately 15 years from around 1917 to 1930, during which he lived in the south of France and focused on portraits of female models often dressed in costumes and set before decorative backdrops.

Though primarily known for his paintings and sculptures, Matisse was also a prolific printmaker, producing over 800 individual prints from 1900 to 1954. He moved freely between various printmaking techniques and used each as an extension of his drawing style and process. The imagery he created frequently was repeated forms of reclining nudes, portraits and dancing bodies drawn with elegant and energetic contour lines. For Matisse, printmaking spurred creativity and innovation while also enabling him to produce further works in multiples to satisfy the increasing demand for his art. Duthuit 489.