Mar 13, 2018 - Sale 2469

Sale 2469 - Lot 317

Price Realized: $ 50,000
?Final Price Realized includes Buyer’s Premium added to Hammer Price
Estimate: $ 30,000 - $ 50,000
PABLO PICASSO
Téte de jeune femme.

Lithograph, 1947. 600x450 mm; 23 1/2x17 3/4 inches, full margins. Signed and numbered 5/50 in pencil, lower right. A superb, well-inked impression.

The current lot is one of numerous lithographs Picasso created of Françoise Gilot (born 1921), his muse and mistress from 1943 to 1953 and the mother of their children, Claude and Paloma. He ultimately called her "The Woman Who Says No," as she alone among his many lovers dared to defy him and ultimately left him in the south of France. Françoise was born to a wealthy family in Neuilly-sur-Seine; her father was a businessman and her mother was an amateur artist. From an early age, Françoise yearned to be an artist like her mother, but her father pushed her into studying law, which she ultimately abandoned after several failed attempts to resist her father's control, by 1942 devoting her life to becoming an artist.

When their relationship began the following year she was 21--a neophyte in the art world--Picasso, who had just turned 61 years old, was among the most famous living artists anywhere. Gilot put her artistic pursuits on hold (she eventually returned to them and established herself as an artist with some success from the 1960s onward, see lot 565) in place of raising their two children. She and Picasso fought frequently however, and by the early 1950s their relationship had dissolved. She separated from the artist and their home in the south of France and relocated with their children to Paris.

In this elegant lithograph, Picasso shows her with characteristic narrow, arching eyebrows, full lips and youthful visage. Piccasso's old friend Matisse, who was fond of Gilot and found artistic inspiration in her feminine beauty as well, remarked that he would paint her with a pale blue body and leaf-green hair, which prompted Picasso to create La Femme-Fleur, 1946, another famous portrait of Françoise, hyper-stylized with a pale blue body and leaves for hair. Bloch 458; Mourlot 106; Reuße 240.