?Final Price Realized includes Buyer’s Premium added to Hammer Price
Estimate: $ 4,000 - $ 6,000
PHILIP GUSTON Studio Forms.
Lithograph on Arches Cover paper, 1980. 580x995 mm; 23x39 1/4 inches, full margins. Signed, titled, dated and numbered 96/100 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamps lower right. A very good impression of this large lithograph.
Born Philip Goldtsein to Russian emigré parents in Montreal, Guston (1913-1980) attended the Los Angeles Manual Arts High School, where he became friends with Jackson Pollock (see lots 24 and 25). Guston pursued a career in the arts that led him to the Otis Art Institute and a lifelong friendship with the artist Reuben Kadish. Guston and Kadish toured Mexico in 1935, meeting Diego Rivera, and by 1936 had arrived in New York to work under the Federal Art Project, WPA. His first solo show at the Midtown Gallery in New York in 1947 was followed by travels to Italy.
When he returned to New York in the 1950s, he renewed his friendship with Pollock, as well as Adolph Gottlieb (see lots 28-33) and Willem de Kooning (see lots 26 and 27), and began painting in a looser, more expressionist style. Guston's lithographs from the 1960s (see lots 50 and 51) reflect the imagery of his painting and drawings from this time; , drawn with bold, gestural strokes not unlike Pollock's Black Paintings from the early 1950s.
By the mid-1960s Guston had moved away from Abstract Expressionism toward more figural, representational art (called the Cartoon Paintings). Much of this later work is reminsicent of still lifes, landscapes and figural groups. In some cases there are references to the fight for racial and social justices that stirred during the 1960s/1970s. Despite this later departure to representational art, Guston still held onto an interest in abstraction that had permeated his earlier career, demonstrated by the abstract patterns that make up the rug and floorboards in the current work. Semff 45.
