Sugar-lift aquatint on BFK Rives paper, 1960. 300x345 mm; 11 3/4x13 5/8 inches, full margins. Artist's proof, aside from the edition of 50. Signed and inscribed "artist proof" in pencil, lower margin. Printed by Anderson-Lamb, Brooklyn. Published by the Morris Gallery, New York. From 21 Etchings and Poems. A superb impression of this extremely scarce, early print.
Dutch-born de Kooning (1904-1997) arrived in New York in 1926, a stowaway on a cargo ship from Rotterdam, after a somewhat difficult childhood fraught with familial and monetary difficulties. Nevertheless, he had gained a solid artistic training in Europe and quickly found work as a commerical artist in New York. By 1942 he had become friends with Jackson Pollock and Franz Kline and together these three artists would form the nucleus of the New York School of Abstract Expressionism.
Revenge was de Kooning's first print, and yet the only etching or aquatint that he ever created, working solely in lithography and screenprinting thereafter. Other artists who contributed prints to the portfolio include Franz Kline, Jacques Lipchitz and Stanley W. Hayter.
"Probably the first American collaboration of such magnitude between artist and author," according to The Artist and the Book, "this publication was conceived in 1951 by Peter Grippe when he took over the directorship of Atelier 17 from Hayter. After Atelier 17 was disbanded in 1955, Grippe continued to work with the artists in his own studio, and Morris Weisenthal took over publication under the imprint of his Morris Gallery." The Artist and the Book, no. 145. Graham 1.
