104 East 25th Street, New York, NY 10010  | 
(212) 254-4710  |  Mon - Fri, 10AM - 6PM
Follow Us:
  • We are happy to call you during the auction and place bids on your behalf. To arrange phone bidding, please call Swann's bid department during business hours.

    (212) 254-4710 ext. 0
    Mon - Fri 10AM - 6PM


    Or, e-mail a list of lots with the sale number and your contact information to phonebids@swanngalleries.com. Be sure to include a phone number where we can reach you.

    Bids may also be submitted via fax. Send a list of lots with the sale number and your contact information to (212) 979-1017. You will receive a confirmation before the sale.

    Sale 2474 | Lot 313
    Estimate: $12,000 - $18,000
    • Click Image To Enlarge

      Additional Images
    • Sale 2474 Lot 313

      Edited by Goro Kumada. Illustrated with 32 double-page back-to-back photomontages configured as an accordion fold-out, each full-page spread an incredible homage to culture, industry, military, or the everyday Japanese citizen. Oblong folio, textured silver paper covered boards with red lettering, rubbing at the edges and loss to the rear panel; a couple spreads with isolated chips at the top edge. Parr/Badger I 178. FIRST EDITION.
      Tokyo: Kokusai Bunka Shinkokai, 1937

      Estimate $12,000 - 18,000

      Nippon, a journal published by the increasingly nationalistic and militaristic Japanese state, was influenced both by German pictorial traditions of the era (the New Vision) as well as the well-known Soviet propagandist journal USSR in Construction. The Japanese journal's objective was also largely to ease tensions and appeal to Western nations (the journal was published in various Western languages). The quarterly publication made use of Japan's best photographers and designers, and also published books, of which this is one.

      The sublime photomontages in this publication are influenced by both Japanese and Western visual traditions, including a flattened pictorial space much like the floating world woodblock prints of prior centuries and the accordion fold format. Each montage takes as its theme an aspect of Japanese culture or national achievement, and used photographs by Ken Domon and Ihei Kimura (both of whom would also become well-known for their post-war work), among others.

      This title represents a growing awareness around the power of images to influence and communicate, and represents a high point in the propaganda photo book and Japanese publishing.