?Final Price Realized includes Buyer’s Premium added to Hammer Price
Estimate: $ 60,000 - $ 90,000
SIMONE LEIGH (1967 - ) Untitled.
Salt fired stoneware, 2001. Approximately 625 mm high; 25 inches high.
Provenance: acquired directly from the artist; private collection, North Carolina (2002).
Exhibited: Eros Negras: Encountering the Black Female Body, Afro-American Cultural Center, Charlotte, NC, September 6 - November 30, 2002; 40 and Counting, Harvey B. Gantt Center, Charlotte, NC, July, 2014.
Untitledis an excellent and early example of the Leigh's work in salt-fired stoneware in which she explores the imagery of the black female body, the romanticization of primitivism and fertility. Leigh created at least three of these vessels in this series - intended for what was to be her first solo exhibition at Rush Galleries, New York in 2001. But the September 13th exhibition was cancelled after the September 11th terrorist attacks. Leigh also created a similar version of this vessel in black, entitled Pitch, which is included in the data base of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Leigh has often explored the experiences and social histories of black women through ceramics for over 25 years. Her work in ceramic makes multi-layered references to African traditions, feminism, ethnographic research, postcolonial theory and often times, racial politics.
Born to Jamaican parents in 1967, Simone Leigh grew up in Chicago and is currently based in Brooklyn, New York. She received her BA in Art and Philosophy from Earlham College in 1990 and taught ceramics at the Rhode Island School of Design. Her body of work includes sculpture, installations, video, performance, and social practice projects that often focus on black female subjectivity. Through her investigations, her work overlaps cultures, time periods, and geographies, in what Leigh refers to a "collapsing of time," where she examines ideas of the female body, race, beauty and community.
Simone Leigh is a recipient of the Hugo Boss Prize (2018), the Foundation for Contemporary Art Grant (2018), Joyce Alexander Wein Artist Prize (2017), John Simon Guggenheim Fellowship (2016) and Anonymous Was a Woman Award (2016). Her work has been exhibited at the New Museum of Contemporary Art, New York, Tate Modern, London, the Studio Museum in Harlem and the Hammer Museum, Los Angeles. Her sculpture was most recently featured in the 2019 Whitney Biennial, and her 2019 Hugo Boss Prize solo exhibition Loophole of Retreatwas held at the Guggenheim Museum. Leigh was also the first artist commissioned in 2019 for the Plinth, the first space on the High Line dedicated solely to monumental contemporary art commissions, where she presented her sculpture Brick House.